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Can the doctor’s conscience hold up, in Chuck’s words, to “framing someone, even if that person is, in fact, guilty”? But among those things is the systematic demolition of Dr. This takes place according the exact same moral calculus he signed up for when he — and we — still thought he was merely re-articulating his willingness to frame Axe.

“I can live with it,” Gilbert replies, comparing the scheme to performing triage in an emergency room after a disaster: “You save who you can, and force the fate of the rest out of your mind.”“I hoped you’d see it that way,” Chuck replies. “Billions” being “Billions,” that conversation bears all the signs of a red herring.

“Billions” is the new “Breaking Bad,” with white collars instead of blue meth.

It’s a beautiful summer day, you’re hot, you’re ready, and need a wet juicy XXX release with a Latin flavor.

Wendy’s relentless attractiveness, and the differential of desire between the two characters, yields the sexiest scene I’ve seen on TV all year, with no nudity and little more physical contact than a strategically deployed head on his shoulder.Only Hall has the know-how to pinpoint and blackmail just the right employee at Wendy’s cellular provider in order to doctor the records of her incriminating call. Sauntering over to Mafee’s man cave of an apartment, she seduces him not into sex — he’d probably be too discombobulated by his crush on her to handle it anyway — but into falling on the grenade for her.Axe meanwhile has one of his guys fabricate evidence of a lucrative trade by Dr. He also spearheads the effort to persuade Mafee (Dan Soder), the trader who set up Wendy’s illegal short, to take the fall for her — using information from Mafee’s friend Taylor Mason to determine how to make him lie without threatening his innate sense of honor and decency. Thanks no doubt to her experience as a dominatrix, she does this so effortlessly that he probably thinks it was his idea.Disaster for our Big 3 thus averted, the episode ends in Axe Cap headquarters.A clever edit juxtaposes the supine bodies of Chuck and Wendy, in bed together after their long day, with a shot of Axe and Wags, riding in the elevator together after their own ordeal.

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